CategoryTea Books

Book: The Tea Road: Part 1

It’s the end of my latest term, and once again time for me to start up in Independent Studies.

I’ve been waiting all term to check out a certain book from my university library, knowing I wouldn’t have time to read it until after exams. One of the best parts of transferring to a new school is perusing their collection of tea-related books. My last school introduced me to The Book of Tea, and Tea in Japan: Essays on the History of Chanoyu (see Bookshelf for more information).

Here, I’ve found The Tea Road: China and Russia Meet Across the Steppe, by Martha Avery, detailing the lesser-known, Northern cousin of the Silk Road and Tea Horse Roads. Best bet is to look up “Siberian Route” on Wikipedia for more information.

The book details the history of its inception and follows its formation, roughly, from China to Russia.

I’ve been taking notes.

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The (Note)Book of Tea


Tea Journal: Thich Nhat Hanh Quotes
Pictured left is my physical Tea Journal. My old one was a flowery thing, although it has a long history. As soon as I saw this one, however, I had to pick it up (it has a teapot on the front, back, AND every other page! Plus interesting quotes from the Buddhist monk Thich Nhat Hanh), even though my old notebook hadn’t been filled yet. I mostly use it to list teas from companies that I’d like to try/checklists for said companies, as well as notes on tea places I’ve been to, and teas I’ve tried while not in the presence of the computer; it also has a few pages of interesting tea quotes I thought to jot down. My old book even had a poem or two by me, although not about tea. I have my poetic moments (but I rarely share them). There’s only one in there so far that I have any like for.

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Book: The Book of Tea

Returning again to my inexperience in blogging, I think I’m going to spend a post describing in my no-doubt monotone writing style, one of my favourite books to date; Okakura Kakuzo’s The Book of Tea. It is certainly my favourite tea book, and I like to suggest it to a lot of my friends (at least the tea-savvy ones), although it’s really not a book everyone can get into. It reads as a long, sometimes rambling exposition (something I personally enjoy), and constantly goes off on seemingly unrelated tangents; it is famous for being not so much about tea, but rather using tea as an analogical lens to view culture (western versus eastern) and art. Kakuzo was, after all, (and foremost) a man of the arts.

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